Get Full Essay Get access to this section to get all help you need with your essay and educational issues. The movies are an escape into a fantasy world; a way to leave behind the troubles of life and experience a totally different one. However, everyone has a preference on what kind of movie is best.
A typical sitcom script contains four gags per industry-format page. A comedy without gags has little chance of fulfilling the core imperative of any comedy — audience laughter. Spontaneous and involuntary laughter is compulsory in comedy.
Only an ignorant snob would define the primary purpose of comedy any other way. Subject matter, and the often subjective truth being highlighted with it, must be known, palatable or of interest to the audience. Without affinity of any kind, a joke dies.
Greenies, whale-hunters and Young Liberals each have their no-go zones. Political humour works best if the audience is onside. People who claim to have open minds soon reveal they are not open to everything.
Swingers and Methodists might enjoy the same jokes, so long as the subject matter truth being imparted are broadly acceptable to them. But everyone has a soft spot.
Even comedians can be provoked to outrage. A brilliant young Melbourne comedy writer, Dean Watsonsparked a scandal among comedians at the Melbourne Comedy Festival when he published an article suggesting comics would get more corporate work if they curtailed their swearing.
This common sense suggestion offended some comics who complained to me for two reasons. Secondly, they declared no lucrative corporate gig was worth curtailing their free expression.
This may be true, but at what fucking price? But I have no problem getting through a corporate gig without needing to swear.
Do tough, cool comics swear in front of their Nannas? The principles of comedy, however, can be applied to any subject matter, be it topical, smutty, intellectual or childish. Once the gag is constructed, the principle is only apparent to someone who knows what to look for.
Like hair-rollers, no part of the principle is left behind. They provide frameworks for creating gags that can appeal to all kinds of people.
Writers must learn these principles by trial-and-error or through direct teaching. All the narrative comedy principles have already been defined.
It is lazy and limiting to avoid them. A writer of drama should have no problem in tackling comedy. Narrative comedy is, after all, the compression of drama. The main difference is that comedy sacrifices realism for believability. They are living toys, so realism is abandoned from the movie in the first frame.
But both characters behave believably, acting within the boundaries of their own characteristics. Though they could never exist in the real world, Woody and Buzz have recognisably human traits and core drives.
There are dozens of tertiary writing courses being offered across Australia, each charging thousands of dollars. But none of them show how a film like Toy Story can be written because in most writing courses there is no comedy module available. Is the assumption that the writers of sitcoms merely follow their instincts?
How can this be when the principles of comedy are as simple and effective as the one detailed above?Introduction. There are many types of movies ranging from comedy to action and cartoons.
Many of these movies depict specific factors that rating systems use to classify them. House moves seamlessly from John Hughes-style teen comedy, to Sam Raimi-style horror come Theater of the Absurd.
The film, originally released in , but never in the US, is hard to define. Introduction. There are many types of movies ranging from comedy to action and cartoons. Many of these movies depict specific factors that rating systems use to .
The Online Writing Lab (OWL) at Purdue University houses writing resources and instructional material, and we provide these as a free service of the Writing Lab at Purdue. For example, if you have to write a classification essay on comedy movies, you may categorized the comedy movies as black comedies, romantic comedies, light humorous comedies, parodies, ironical comedies, etc.
"Comedy", in its Elizabethan usage, had a very different meaning from modern comedy.
A Shakespearean comedy is one that has a happy ending, usually involving marriages between the unmarried characters, and a tone and style that is more light-hearted than Shakespeare's other plays.